SPOILERS! Discusses the two narratives and ending of Anantaram (1987).
I really connected to the first story and got to know Ajayan a lot. I knew a fair amount about him, how he feels about Suma and how he acts around those close to him. However, after watching the second story, I was confused about whether to try and make sense of everything or just enjoy knowing there is more to Ajayan’s story.
The additional information changes the relationships. Whilst I don’t think we are meant to solve it like a riddle, it is interesting to think that maybe we aren’t getting the whole story from either. Maybe he is remembering real events but manipulating some of them to make more sense of his feelings.
I think there are a few points in the film to consider.
Why Two Stories?
In the first half of the film, we learn about Ajayan’s development and how he starts to develop feelings for his foster brother’s wife, Suma. This puts him in a tricky situation. I started to realise that a lot of the story was from Ajayan’s perspective.
He starts again.
We learn more about his childhood, the servants in the house and his feelings towards Nalini. There is some repetition, but the whole tone of the story is different. After initially thinking it would make more sense, it actually raised more questions.
This is what makes the film interesting. Ajayan isn’t simply correcting a few details but giving us a new perspective on his life.
Adoor Gopalakrishnan has explained that the two stories show us that Ajayan is both an extrovert and an introvert, and that they combine to make one person.
This helps us to understand the difference between the two stories. However, it also makes me wonder how reliable both stories are.
As they show us two sides of the same person, maybe the differences are due to how he sees himself. The second story doesn’t necessarily replace the first one but gives us another version of the person telling it.
Suma and Nalini
This is when I started to think that the two stories may have a more personal connection.
It is impossible to ignore that Shobana plays both Suma and Nalini. Although we are introduced to them differently, they both feature in Ajayan’s life and raise similar questions.
I kept thinking that Nalini must be the version of Suma that he wished he had met.
There is a big difference between the two situations. In the first story, Suma is his foster brother’s wife, meaning he is in a tricky situation. However, in the second story, Nalini seems like someone he could have a relationship with.
With her, he can imagine a different outcome, and his feelings come with fewer complications.
This seems intentional. Perhaps he is changing the situation to help himself remember how he felt. I find this interesting as it creates a link between the two stories through his feelings.
Maybe they are two different relationships, but his feelings are the same.
However, I cannot confirm that Nalini is a figment of his imagination. There isn’t enough evidence in the film to prove this. If I were to say she is a fictional character, it would be too simple.
I think his feelings have affected how he portrays the two women. Whilst they may be two different characters in the stories, they seem very closely related in his mind.
Can We Trust Ajayan?
Something to note is that we are only getting Ajayan’s perspective of the stories. We are not getting an unbiased view of what happened. This means it is difficult to know how much of his story is based on his memories and how much comes from his interpretation.
Whilst we may think the second story is the more complete one due to the extra information, this is not necessarily the case. People can have clear memories but still misinterpret what happened, especially when those memories involve feelings.
His feelings, loneliness and childhood affect how he sees those around him. As this is a personal story, there may be bias, whether intentional or not.
I don’t think he is intentionally trying to trick us.
Perhaps he isn’t lying. He may just struggle to make sense of what actually happened and what he wished had happened.
This is why I struggled to decide which story to believe. Whilst they give us different impressions of the same person, they don’t match up. However, they do tell us something about how he sees his life.
The title is often translated as ‘Thereafter’. I like that the title reflects the theme of the story moving forward, but there are parts of his past that are left unresolved.
Every time I started to think I understood more about Ajayan, there was something else to consider. Perhaps this is why I don’t think we should take either story as the final say on his life.
Final Scene – Counting
I found the ending quite significant as it goes back to when Ajayan was a child. We see him counting the steps by the water. He counts the odd numbers when going down and the even numbers when returning.
Whilst it is a simple scene, I wondered why they chose it as the ending. I can see how it could be a reference to the two stories. They are two different sequences but relate to the same person and experience.
However, we don’t get the full picture.
I like that we see him as a child again. We have focused on him as an adult throughout the film, so it gives us a fresh perspective on him. He hasn’t had the relationships and conflicts we have discussed throughout the film.
This made me think about how his memories started. Perhaps we have focused so much on understanding the adult Ajayan that we have forgotten about him as a child.
The ending brings us back to him. This almost makes me think that the two stories are an attempt to understand his life from two different perspectives.
Whilst I cannot confirm that the odd and even numbers mean anything specific, assigning them a definite meaning would go beyond what we can take from the film. However, it is hard to ignore that they could be a reference to the two stories.
I wouldn’t take this as evidence, but it fits with how I have interpreted the film.
I like this ending as it leaves questions. It doesn’t tell us which story to believe or fully explain what happened.
Which Story Is True?
Overall, I don’t think it is particularly useful to know which story is true. Both stories are Ajayan’s attempts to make sense of his life. They show us how he sees himself and those around him from different perspectives. Although the stories may be based on real events, his feelings will have affected how he sees them. This means we can’t easily trust either story.
For example, Suma and Nalini seem to show us two different possibilities for Ajayan, but his feelings are very similar. He could be remembering two different relationships, changing how he sees one experience or mixing his expectations with his memories. The film allows for this.
Whilst I am still slightly unsure about Nalini, I don’t think we need everything to match up. The more I tried to work it out, the less interesting the film became.
I prefer to look at the two stories as parts of Ajayan’s identity rather than spending the whole film trying to work out what is real and what may have been imagined.
This is why I like the ending. There are two different sequences showing two different stories, but they come from one person. Maybe neither story is completely reliable, but they give us a better understanding of Ajayan.
We don’t need to pretend everything matches up.
If you enjoyed this style of storytelling, I would recommend reading my article about the ending of Kaun? (1999). This is a very different film, but I had a similar experience. I went back to previous scenes and questioned how much I actually understood.
I still don’t have a clear answer as to which story is true. Perhaps this is the point. Ajayan can tell his story many times, and each version may tell us just as much about his feelings as it does about what actually happened.
![Anantaram: What If Neither Story Is the Truth? [Theory]](https://themainnews.com/wp-content/uploads/2026/11/Anantaram.png)






